Sean Johnson

Claudia

Give me your tired,
your poor,
your huddled masses
with constellations hearts.
And I’ll give you
the Border Patrol
yearning and ready,
equipped with
rounds of black holes
for the automatic chips
on their shoulders.
Trigger fingers always aching,
groping for even
the tiniest tendrils of threat
to the American dream.
They can’t sleep peacefully
if anything other than drugs
and weapons cross this border.

I am told, Lady Liberty
waits in welcome
at the foot of the ocean,
but if you stand on
the American side of the Bravo,
you can hear the river yelling
“Keep my name
out of your mouth.”

But you came anyway,
following the pathways that
would soon line your coffin.
Stepped out of the water,
ripe with expectation,
the dogs sniffed hope in the wind.
No questions.
Just the sound of sovereignty
splitting the air before
rippling through your hair
like capillary waves
on the surface of a river.
Dispersed tongues.
No last words.
Only stuttering syllables
landing hard and unforgiving
like boats dashed
against the unseen.
You collapse and
a dam of tall grasses
mercifully cradles you
while the earth murmurs,
Claudia,
your breath is not welcome here
in this stolen land
though hands that mirror
the darkness of the soil
built it with
the bones and teeth
of their memories.
No last rites.
Just a flightless bird
and your blood
rushing towards the Rio Grande,
begging to be taken
back home.

Black Girl

                                 What my mama describes as ancestry
sends White folks cowering in fear.
I don’t do anything in particular to tower
over the masses.  I suppose it’s just the big
power in my walk that makes them shrink
into my shadows.  I get it though. I imagine
I’d be frightened too if I ran upon a woman
carrying every tribe from Ashanti to Zulu
in her hips.

                                   Though often mistaken
for a loud-mouth bitch with nappy hair,
I pay no mind to the way they try to define
what can only be described as indescribable.
Not everyone is meant to decipher
the white noise from spoken hieroglyphs.
Not too many can separate the ostentatious from
the call of a lioness. And as you can imagine,
folks who’ve never had roots don’t know much
about kinky curls that keep
the past, present, and future moving
in one smooth figure eight.

                                     So they try to pretend
they’re appalled by my skin, but I see the
secret glances.  The longing to wrap themselves
up in my midnight sky. I know they wish
they could steal my coat of many colors.
                                     And that’s why wherever I go,
                                      I take my Self with me.
I transport my flesh in armored self-esteem
knowing its worth, knowing that from its blackness
all the worlds were made.

                                      And even though they try to redefine it
as hideous, inferior, a strain of disease for
which there is no cure, they know with each
vertebra of their dismantled spines that I
am the entry way of everything that ever was,
is, and forever will be.

From a young age, Sean developed an insatiable love for the written and spoken word and has performed throughout the country. She is the author of the chapbooks Unpredicted Prophecy and My Name Be. Sean has had art work and poetry published in 29 anthologies worldwide, and in 2014 her poem “Rearview Mirror” was nominated for The Pushcart Prize in Poetry. All My Heroes Were Assassinated is her first full length collection with two of its poems nominated for “Best of the Best” by Edify Fiction and Lunch Ticket, and she was recently nominated for Texas Poet Laureate. In addition to her poetic endeavors, she is also a painter, teacher, rock star auntie, and humanitarian known for her monthly homeless outreach, disaster relief program, and mission work in Africa.

Sam Pittman

This Gymnasium 

i keep bending like this not so
a man will want me but will

want to balance a pound of me
on his tongue.     

this meaning a rope i imagine
tied around my waist pulls
my hips toward heaven
where they belong.

this meaning i feel my wrists chained and lift    
the arms behind my prone weight a praise
into the air that leaves the back
open for what service it may offer.

which is heavier:
a teaspoon of sweat?  
a teaspoon of spit?

this chant is a kind of want
we throw into the mirror.

this worship sounds like the shower running
so it can drown the hymn we hum below it.

what we’re sure of we hold in vibrato
but other songs in this sweatbox jump better  
in the raw back of the throat.

i know.
i keep trying to sing them.

Sam Pittman is the author of the chapbook Mostly Water (Seven Kitchens Press), which won the 2016 Rane Arroyo Chapbook Prize. His poetry has appeared or is forthcoming in such journals as Grist, Frontier Poetry, Bellevue Literary Review, Newfound: A Journal of Place, Glass: A Journal of Poetry, and The Good Men Project. He is a graduate of the MFA Program in Writing at the University of Pittsburgh and holds a BA from the University of California, Berkeley. Sam lives and teaches writing in Pittsburgh, PA.

Dakota Garilli

Anthem for Fags
                                                                                      for Sylvia Rivera

I pledge allegiance to the fags,
the ignited state of gender-benders,
and to the sensibility which we demand:
I am a radical, a revolutionist, I am still
a revolutionist. Hell hath no fury like
a drag queen scorned,

like a queer or trans woman scorned,
like the one forgotten paramour in a bar full of fags.
My mother never did like
to admit who I was. Am. She, the pretender,
the dissembler, the closeted mother still
trying to decide how to demand

space for both of us in this world, demand
herself to love me whole. Instead, she scorned
what she couldn’t have been ready for, still
thinking white wedding, AIDS comes for fags,
God hates gays and money-lenders—
not admitting she and I were just alike:

different. Black sheep. Not liked.
Doesn’t play well with others. The demands
of society force us to remember
the humanity of people who have scorned
us in this way. Me, I love being a fag.
I love lying still

in my bed, quivering with anticipation still
as I wait for every lover, efficient like
a bagel punch card, like a phone book of fags,
like a list of demands
that I make to myself with the scorn
that needing to wipe yourself constantly
              of lubricant engenders.

Faggotry is never surrendering
to the Puritan morals still
plaguing our country. It’s the scorn
of And I’m here to remind you, like
the best karaoke you’ve ever screamed.
Like the thing that will get them to call you a fag

and you don’t act offended, like
you still only demand
respect on the days you haven’t scorned yourself first.

I pledge. I pledge allegiance. I pledge alleg-
              edly. I pledge.

Dakota R. Garilli is a transgender and nonbinary-identifying poet, essayist, editor, and student teacher living in Pittsburgh, Pennsylvania. Their work has been previously published in Pretty Owl Poetry, Weave, and elsewhere.

Ohab TBJ

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OHAB TBJ is a Nigerian born visual artist & illustrator. His creations often utilize intricate lines, patterns and designs often found in Ankara fabric. TBJ has featured in several exhibitions within the USA, as well as some African countries. To mention a few: AFROFRONTAL, Washington DC, 2016. AFRICA FASHION WEEK LA, 2016. PANORAMA, LAGOS, 2016. AFROPUNK Festival, Brooklyn, 2016. His works have appeared in FASHION ILLUSTRATION AFRICA, A New Generation (Shokopress, 2016), HOW DO I LOOK SOUTH AFRICA (E online Africa, 2017-Present), and BOSTON ACCENT LIT (Issue 13, 2018). You can find him on Instagram at @u_tbj and on Twitter at @ohabtbj